*2005 in Yerevan, Armenien.
Lives and works in Yerevan, Armenia.
2024/2026 - State Academy of Fine Arts of Armenia - Bachelor - Department of Fashion Design
2020/2024 - Mkhitar Sebastatsi Educational Complex - College - Department of Fashion
Narek Arushanyan is an artist who originally trained in fashion and works in the fields of visual arts, video, and collective publishing. His work deals with topics such as sexuality and political research, often blending personal and collective narratives. Magic is the main focus of his artistic practice, in reference to Marcel Duchamp: “The artist is a magician and art is magic.”
He is one of the contributors to “Revolutionary Health and Health for the Revolution” and works with other artists to produce topics through joint reading, translation, organization, and distribution.
Narek Arushanyan's practice operates at the intersection of collective and personal narrative, work, everyday life, and the collective political context. His methodology combines research, collective practices such as publications, and visual works to explore themes such as sexuality, art, and resistance. Continuing the Armenian contemporary art tradition and art movements of the 1990s, Narek takes a multidisciplinary approach, often using installations, objects, and posters on paper or PVC as his media.

© Pia Koop
*2005 in Yerevan, Armenien.
Lives and works in Yerevan, Armenia.
2024/2026 - State Academy of Fine Arts of Armenia - Bachelor - Department of Fashion Design
2020/2024 - Mkhitar Sebastatsi Educational Complex - College - Department of Fashion
Narek Arushanyan is an artist who originally trained in fashion and works in the fields of visual arts, video, and collective publishing. His work deals with topics such as sexuality and political research, often blending personal and collective narratives. Magic is the main focus of his artistic practice, in reference to Marcel Duchamp: “The artist is a magician and art is magic.”
He is one of the contributors to “Revolutionary Health and Health for the Revolution” and works with other artists to produce topics through joint reading, translation, organization, and distribution.
Narek Arushanyan's practice operates at the intersection of collective and personal narrative, work, everyday life, and the collective political context. His methodology combines research, collective practices such as publications, and visual works to explore themes such as sexuality, art, and resistance. Continuing the Armenian contemporary art tradition and art movements of the 1990s, Narek takes a multidisciplinary approach, often using installations, objects, and posters on paper or PVC as his media.

© Pia Koop